Quiet Hands | Catherine Haddad | PART 05

Part 5: Catherine explains how the horse has mirrored the rider and has been charging around, while the rider has been riding his mouth rather than his body. By committing to softness and to get on and ride the horse from behind rather than from the mouth, she shares how the rider can move past that. They apply the same principles to trot and canter transition, and Catherine explains how over time, the horse's neck will mimic the riders arms in softness or being strong.