The Art of Scribing in Dressage: A Beginner's Guide
If you're interested in scribing at a dressage show, check out these tips and advice from USEF “r” dressage judge Jacquelyn Stapel to help you get started.
If you're interested in scribing at a dressage show, check out these tips and advice from USEF “r” dressage judge Jacquelyn Stapel to help you get started.
Maryal Barnett explains an important aspect of dressage training.
Marilyn Payne discusses dressage within the context of eventing.
USEF “S” dressage judge Debbie Rodriguez offers tips on schooling a clean walk-canter depart
Dressage judge Kathy Rowse answers this reader question and discusses the duties of a dressage judge.
Five-time Olympian Kyra Kyrklund shares her dressage training secrets at a Kentucky symposium.
Blogger and judge Margaret Freeman explains why higher scores are often worth the risk.
Blogger and judge Margaret Freeman shares her observations from judging at a recent Arabian show.
Judges Debbie Rodriguez and Dorothy Maxfield answer popular questions on the minds of Intercollegiate Dressage Association riders.
Margaret Freeman explains the art of presenting your horse in the best light to the judge.
It’s easy to remember the position of the dressage letters when they’re right in front of you, but not so easy when they aren’t.
The judge is always searching for an effective way to convey information through her scribe to the rider.
In the end, it's the rider's responsibility to know the schedule
The far end of the arena may be the most neglected part of a dressage test.
At the end of every test, you halt facing the judge at C and salute. Sometimes it’s at G, as seen here, but more usually it’s at X.
Top dressage judges Lilo Fore, Anne Gribbons and Hilda Gurney weigh in.
Kathy Rowse explains a lesson she wishes she had learned sooner in her dressage career.
Top dressage riders share tips on how they impress judges from the moment they begin their freestyle.
Lilo Fore reflects on her promotion to the FEI’s top judge’s rank.
The future of dressage sport is at a crossroads. Is it entertainment for the audience, or is it about examining classical training for horses? Or can it be both? Christoph Hess discusses in this article.